• Just Couldn't Resist

    From Richard Webb@1:116/901 to Ardith Hinton on Thu Apr 22 14:41:11 2010
    On Wed 2038-Apr-21 13:46, Ardith Hinton (1:153/716) wrote to James Bradley:

    Well, says the clarinet player with a dictionary in her
    purse, let me tell you about bagpipes! There are several
    varieties... but the bagpipes which are probably most familiar to
    most people are the Scottish war pipes. They can sound great from
    half a mile or so away. While they are inspiring to some they do
    strike fear into the hearts of others, especially in close
    proximity.

    And, as this old audio engineer, bass man and keyboard
    player learned years ago, bagpipes were meant to do just
    that, especially the "war pipes" mentioned.
    THey were designed as munitions.

    Bag pipes, and some opera singers were not something taken
    into consideration when most modenr recording facilities
    were built. Tried recording both in the average studio.

    AT one in st. Louis where I worked we had trouble even in
    our big live room recording a pipe band. I think they
    finally did that project in a high school gym <grin>.

    And, in the tradition of this thread of musician jokes ...

    What do you call a trombone player with a pager?

    An optimist.

    What do you call a guitar player without a girlfriend?

    HOmeless.


    Regards,
    Richard
    --- timEd 1.10.y2k+
    * Origin: (1:116/901)
  • From James Bradley@1:342/77 to Ardith Hinton on Wed May 5 12:56:00 2010
    On or about 05-03-10 16:28, Ardith Hinton allegedly uttered "Just Couldn't Resist" to James Bradley:

    When I said "Meet you at the coda," scant few would know
    what I was talking about. That was my cue to leave.

    Ah... very good! Dallas & I exchange certain non-verbal
    signals when one of us has decided it's about time to
    leave some social gathering. And Nora often finds the
    sign language abbreviation for "toilet" useful, as do we.

    For the former, "coda" means "the car," not "the caboose".


    Just when I think I've figured out what you mean,
    you speak even more in riddles than usual. I see how you
    might use "coda" to mean a conclusion of some sort... or
    even Calgary Olympic Development Association... but how do
    you get "car" out of "coda"?? Apparently there's a battery-
    operated car made by a company named Coda. If you have
    one, though, it's news to me. The only other idea I can
    come up with is that after certain gatherings you call a
    taxi. ;-)

    When you are called to the "coda", the song (night out) is about to end. Not the caboose "end". *8-0 When I found a room full of time-waste, I knew that was my exit call. When the elder Hintons find it's time to "coda" the night, they get in their carriage. When Nora's had enough of this.... <G+D>


    "There she goes again!" (IOW, "At-a girl!" P-)


    Glad you like it.... :-) :-) :-)

    Would I come back if I didn't? <LOL>


    I've heard it said that the Irish people gave the
    Scottish people the bagpipes as a joke, and as yet
    the latter haven't figured out the joke.... ;-)

    I heard in a movie that Freud said - and I'll paraphrase,
    "The Irish are the only race immune to psychotherapy."


    Well... I reckon he & they were on different wave lengths!
    Freud was a pioneer whose ideas others disputed and/or clarified later.
    Those who could afford his services may also have had different priorities than those who were struggling for physical survival (or
    still felt they needed to) in the wake of the Irish Potato
    Famine. It's often said the Irish drown their sorrows, but
    I have known many women who would recount their life story
    after half a glass of wine. I imagine the latter could be
    a folk version of psychoanalysis.... :-/

    I wonder if Freud took into account the extent of stubborn alcoholics had on his subjects. (Don't know the extent an MD diploma was required in his burgeoning profession at the time.) Perhaps generations of oppression garnered something in the Irish upbringing?



    Seen recently in a music classroom, on the
    teacher's desk... a box of kleenex labelled "ROOM (222) FLU
    KIT". Offhand, I can't think of any Scottish comedians.
    But I know this teacher & I know he's of Scottish
    extraction. :-)

    I wonder if the "FLUE KIT" was for the sniveling, or the other end. (IOW, not sure I get it.)

    Arghh! Time for a Mommy Brag.

    It seems our efforts have paid off.... :-)

    Can I spend a week at your home? <L> I am *so* out of
    practice!


    Sure, if you don't mind sleeping in the back yard.
    We can introduce you to the music therapist & the cuties
    in the French horn section... [grin].

    I'm all in for *that!* <LOL> Unfortunately, life is still muckin' up the works, so I'll have to take a "rain check" on that. You're used to rain, right? (-3^C here right now, but I was hoping for more snow to insulate the early bedding. What're you gonna do, eh? |-)



    ... James
    ___ MultiMail/Linux v0.49

    --- Maximus 3.01
    * Origin: -=-= Calgary Organization CDN (403) 242-3221 (1:342/77)
  • From Ardith Hinton@1:153/716 to James Bradley on Wed May 12 23:26:45 2010
    Hi, James! Recently you wrote in a message to Ardith Hinton:

    When you are called to the "coda", the song (night out)
    is about to end.


    Agreed... when you see the thingamajig in bold face type which looks like a big letter "o" with an even bigger plus sign over it, the song is about to end. Thankyou, you've been a wonderful audience, we're outta here.... ;-)


    P.S.

    The coda isn't necessarily short & sweet. One of the numbers we are working on in the community band has a coda which is 1 1/2 pages long. Yes, I am being picky here! I think you'll see why later... [chuckle].



    Not the caboose "end". *8-0


    Ah, the conclusion of the coda? To me a caboose is a rail car added to the rear end of a train. The caboose is different from all the other cars. With luck you'll see a man sitting there who will wave at the kids & the young at heart who wave at him. But the coda is different from the rest of the song too. That's where the would-be screech trumpeters (for example) take the last few notes up an octave, without regard for the agony they may be inflicting on the clarinet section. Either way there's some sort of parting ritual.... :-)



    When I found a room full of time-waste, I knew that
    was my exit call.


    Yup.... :-)



    When the elder Hintons find it's time to "coda" the
    night, they get in their carriage.


    Okay. But as a former teacher & as a parent living life in the slow lane, I break the task into smaller steps. First I warn Nora that we're about to leave. I allow her a few minutes to get used to the idea. I may also help her put on her splint & shoes. Then I ask whether she needs to use the toilet before we depart. Then we have to get out of the place. If there are stairs, Dallas & I will have to assist her in getting down just as we did when she was going up. If we've brought the wheelchair along & if we're not within walking distance of home, it will take us another five minutes or so to strap down the wheelchair etc. before we can drive away. And as a student of language I know "coda" is more accurately translated as the "tail" rather than the "end". The end is where you see a thin line & a fat line parallel to each other.... :-))



    When Nora's had enough of this.... <G+D>


    It will also be awhile before we can drive away... [wry grin].




    --- timEd/386 1.10.y2k+
    * Origin: Wits' End, Vancouver CANADA (1:153/716)
  • From Richard Webb@1:116/901 to Ardith Hinton on Thu May 13 17:14:41 2010
    Hello ARdith,

    On Wed 2038-May-12 23:26, Ardith Hinton (1:153/716) wrote to James Bradley:

    <snip>
    Not the caboose "end". *8-0


    Ah, the conclusion of the coda? To me a caboose is a rail
    car added to the rear end of a train. The caboose is different from
    all the other cars. With luck you'll see a man sitting there who
    will wave at the kids & the young at heart who wave at him. But the
    coda is different from the rest of the song too. That's where the
    would-be screech trumpeters (for example) take the last few notes up
    an octave, without regard for the agony they may be inflicting on
    the clarinet section. Either way there's some sort of parting
    ritual.... :-)

    YEp, us old jazz heads just call 'em head and tail. Had an
    old rock guitarist I worked with years ago who always called the head the "edge." TOok me awhile to get used to his
    terminology <g>.


    <snip again>

    Okay. But as a former teacher & as a parent living life
    in the slow lane, I break the task into smaller steps. First I warn
    Nora that we're about to leave. I allow her a few minutes to get
    used to the idea. I may also help her put on her splint & shoes.
    Then I ask whether she needs to use the toilet before we depart.
    Then we have to get out of the place. If there are stairs, Dallas &
    I will have to assist her in getting down just as we did when she
    was going up. If we've brought the wheelchair along & if we're not
    within walking distance of home, it will take us another five
    minutes or so to strap down the wheelchair etc. before we can drive
    away. And as a student of language I know "coda" is more accurately translated as the "tail" rather than the "end". The end is where
    you see a thin line & a fat line parallel to each other.... :-))

    Yep, the good ol' double bar <g>.

    SOunds much like the process of getting Kathleen on the road home from somewhere. Unless it's a quick in and out
    somewhere we put her in her wheelchair. This means she
    pulls into parking space, I go around to rear of van,
    partially reassmble the wheelchair, bring it up to the
    driver's side of the van, let her get out, hand me her
    oxygen tank which I stow in the back of the chair, get her
    situated. GOing home, we plan our exit, me to assist in and out of a restroom door if she needs to pay a visit there,
    get her out the door, usually backwards so the blind man's
    feet feel where he's going to put her, and my body measures
    the doorway to hit it square, so she does a lot of traveling backwards <g>. Then we take her to the van, put her purse
    inside, let her get out of the chair, hand her oxygen tank,
    take chair around to rear, partially disassemble chair, stow it, etc.



    Regards,
    Richard
    --- timEd 1.10.y2k+
    * Origin: (1:116/901)
  • From mark lewis@1:3634/12 to James Bradley on Thu Jun 3 20:46:54 2010

    Ya, those wet-naps do little but kill off beneficial bacteria along
    with the bad, but what else do we have?

    the same for the anti-bacterial soaps, too... and folk wonder why their kids get so sick all the time... they just don't realize that you cannot build up an
    immunity without being exposed... truly a sad state of affairs :? :(

    )\/(ark


    * Origin: (1:3634/12)
  • From James Bradley@1:342/77 to Richard Webb on Mon Jul 26 11:48:00 2010
    Richard Webb wrote to James Bradley <=-

    On Tue 2038-Jul-20 09:58, James Bradley (1:342/77) wrote to Ardith
    Hinton:

    <big snip>
    Yes, it seems unfair to me that parents have to pay for
    parking at BCCH when they are helping the staff take care of their own kids while other volunteers get free parking. Oh... and I

    ...
    I was on the list of volunteers that came out to play their
    nice Steinway in the atrium, so I'd go down to the atrium,
    and if nobody was playing it I'd sit down and play, wait
    for Kathy to call me on the ham radio portable and go push
    to next appointment, return to the piano.

    THen, on the way out, I'd stop by the information desk,
    have the clerk there punch my parking ticket, hand
    attendant the
    punched ticket on our way out, no charge <grin>.

    Nice: How could this affect me?

    A) Brush up on my marimba chops, and buy me a new instrument.
    B) Cart in a trap-set and give them a hair-metal drum solo.
    C) Learn piano.

    But, then I'd need a volunteer to take my appointments; A tall order with all the poking and prodding they've been administering! <L> Ow... I can find me a wife without a day-gig that can tickle the ivories. I just can't imagine what *that* eHarmony add would look like. <scratching head> "Send audition tape to..."


    ... Perfect pitch by correspondence. Now, that's a perfect pitch! -Musselwhite,J
    ___ MultiMail/Linux v0.49

    --- Maximus 3.01
    * Origin: -=-= Calgary Organization CDN (403) 242-3221 (1:342/77)
  • From Richard Webb@1:116/901 to James Bradley on Thu Jul 29 23:20:25 2010
    HI James,

    On Mon 2038-Jul-26 11:48, James Bradley (1:342/77) wrote to Richard Webb:

    <snippety doo dah>
    I was on the list of volunteers that came out to play their
    nice Steinway in the atrium, so I'd go down to the atrium,
    and if nobody was playing it I'd sit down and play, wait
    for Kathy to call me on the ham radio portable and go push
    to next appointment, return to the piano.

    THen, on the way out, I'd stop by the information desk,
    have the clerk there punch my parking ticket, hand
    attendant the
    punched ticket on our way out, no charge <grin>.

    Nice: How could this affect me?

    A) Brush up on my marimba chops, and buy me a new instrument. B)
    Cart in a trap-set and give them a hair-metal drum solo.
    C) Learn piano.

    But, then I'd need a volunteer to take my appointments; A tall order
    with all the poking and prodding they've been administering! <L>
    Ow... I can find me a wife without a day-gig that can tickle the
    ivories. I just can't imagine what *that* eHarmony add would look
    like. <scratching head> "Send audition tape to..."

    <rotfl!!!> I love it. HEy, I wanted a wife with good vocal chops, got one, master's in vocal music. <darn it> had to
    teach her hat to scat sing though. USed to write out her
    scat parts to be honest. sYllables, notes and all. Taught
    her to do some percussion, bongo and congas drums.

    We lasted 9 years, then she wanted a divorce, crawled back
    in her cocoon.



    ... Perfect pitch by correspondence. Now, that's a perfect pitch! -Musselwhite,J

    Yah, another version of perfect pitch, tossing the accordion out the car window
    at 70 mph.
    Ah no, here we go again, musician jokes.

    What do you call a trombonist with a pager?

    An optimist.

    What do you call a guitar player without a girlfriend?

    HOmeless.

    Then there's bagpipes, those things ain't musical
    instruments, they're munitions.


    Regards,
    Richard
    --- timEd 1.10.y2k+
    * Origin: (1:116/901)
  • From Ardith Hinton@1:153/716 to mark lewis on Fri Jun 4 12:40:25 2010
    Hi & welcome, Mark! Recently you wrote in a message to James Bradley:

    Ya, those wet-naps do little but kill off beneficial
    bacteria along with the bad, but what else do we have?

    the same for the anti-bacterial soaps, too... and folk
    wonder why their kids get so sick all the time... they
    just don't realize that you cannot build up an immunity
    without being exposed... truly a sad state of affairs :?


    My grandmother used to say "You have to eat a peck of dirt before you
    die." Medical researchers are now telling us the immune system needs something
    to practise on & they attribute the rise in the incidence of leukemia to modern
    standards of cleanliness. There is also some concern that the overuse of anti-
    bacterial agents has a similar result to overuse of antibiotics, in that we are
    encouraging the development of resistant varieties of germs.

    I think ye olde folk wisdom may be worth paying attention to.... ;-)




    --- timEd/386 1.10.y2k+
    * Origin: Wits' End, Vancouver CANADA (1:153/716)
  • From Ardith Hinton@1:153/716 to James Bradley on Fri Apr 9 23:56:05 2010
    I'm not picking on you, of course, but on folks like the kids who told me they
    wanted to play "durms" so they could get out of learning to read music.... :-)


    A drummer, sick of all the drummer jokes, decides to change instruments.
    After some thought, he decides on the accordion. He goes into a music
    store & says to the owner, "I'd like to look at the accordions, please."

    The owner gestures to a shelf in the corner & says, "All our accordions
    are over there."

    After browsing, the drummer says, "I think I'd like the big red one in
    the corner."

    The store owner looks at him & says, "You're a drummer, aren't you?"

    The drummer smiles at him & says, "How did you know?"

    The store owner says, "That 'big red accordion' is the radiator."



    BTW...


    Q. What's the difference between an accordion and an onion?

    A. No one cries when you chop up an accordion.




    -- Uncle John


    --- timEd/386 1.10.y2k+
    * Origin: Wits' End, Vancouver CANADA (1:153/716)
  • From Ardith Hinton@1:153/716 to Richard Webb on Fri Apr 23 23:56:13 2010
    Hi & welcome, Richard! Recently you wrote in a message to Ardith Hinton:

    And, as this old audio engineer, bass man and
    keyboard player


    Uh-huh. I've seen messages from you in other echoes, and you strike me as a man of good sense.... :-)



    learned years ago, bagpipes were meant to do just
    that, especially the "war pipes" mentioned. THey
    were designed as munitions.


    Music hath charms to soothe the savage b(r)east... or whatever. ;-)



    Bag pipes, and some opera singers were not something
    taken into consideration when most modenr recording
    facilities were built. Tried recording both in the
    average studio.


    Ahh. Some time ago, I helped a kid tune his drones in a four by six foot practice room. I won't make that mistake again... [chuckle].



    AT one in st. Louis where I worked we had trouble
    even in our big live room recording a pipe band.
    I think they finally did that project in a high
    school gym <grin>.


    Makes sense to me! Dallas & I have performed in school gyms... both as teachers and as musicians. With a concert band or pit orchestra a big live room enhances the sound where it tends to disappear into the rafters of a gym. With a pipe band the apparent reduction in volume could be desirable.... :-))



    in the tradition of this thread of musician jokes


    Thankyou for adding to it.

    Laughter is good medicine. On a physical level, it can exercise the diaphragm & improve the functioning of the immune system... on a psychological level, I think being able to laugh at oneself is important too. :-)



    What do you call a trombone player with a pager?

    An optimist.


    What do you call a guitar player without a girlfriend?

    HOmeless.


    Or we could just substitute the word "musician" in either case! But seriously, I believe Deepak Chopra has a point when he says what we love to do is the key to what we should be doing. And I reckon you understand that. :-)




    --- timEd/386 1.10.y2k+
    * Origin: Wits' End, Vancouver CANADA (1:153/716)
  • From Richard Webb@1:116/901 to Ardith Hinton on Sat Apr 24 16:38:24 2010
    HEllo Ardith,

    On Fri 2038-Apr-23 23:56, Ardith Hinton (1:153/716) wrote to Richard Webb:

    Hi & welcome, Richard! Recently you wrote in a message to Ardith
    Hinton:

    And, as this old audio engineer, bass man and
    keyboard player


    Uh-huh. I've seen messages from you in other echoes, and
    you strike me as a man of good sense.... :-)

    Glad to hear that, I try anyway <g>.


    learned years ago, bagpipes were meant to do just
    that, especially the "war pipes" mentioned. THey
    were designed as munitions.

    Music hath charms to soothe the savage b(r)east... or
    whatever. ;-)

    Or root him to the spot in fear in the case of war pipes
    <g>>


    Bag pipes, and some opera singers were not something
    taken into consideration when most modenr recording
    facilities were built. Tried recording both in the
    average studio.

    Ahh. Some time ago, I helped a kid tune his drones in a
    four by six foot practice room. I won't make that mistake again... [chuckle].
    Oooh, not fun. I remember a kid whacking on a snare drum
    when I was with an ear a foot or two from it adjusting the
    position of a microphone in the studio. <ouch>.


    <snip>

    Makes sense to me! Dallas & I have performed in school
    gyms... both as teachers and as musicians. With a concert band or
    pit orchestra a big live room enhances the sound where it tends to disappear into the rafters of a gym. With a pipe band the apparent reduction in volume could be desirable.... :-))

    YEp, can see that. I always liked nice theaters, and
    dreaded some gyms and sports arenas. I used to call
    Veterans' auditorium in Des MOines Iowa Vets echotorium when I"d do sound reinforcement there with a company I worked
    for. Otoh the old KRNT radio theater was great to do sound
    in, as was Hoyt Sherman place where they did dramatic
    performances. For either of the later two unless the band
    had electronic amplification on stage you really didn't need sound reinforcement.


    Thankyou for adding to it.

    YOu bet, I've got more somewhere.

    Laughter is good medicine. On a physical level, it can
    exercise the diaphragm & improve the functioning of the immune
    system... on a psychological level, I think being able to laugh at
    oneself is important too. :-)

    YOu bet it is.


    What do you call a trombone player with a pager?

    An optimist.


    What do you call a guitar player without a girlfriend?

    HOmeless.


    Or we could just substitute the word "musician" in either
    case! But seriously, I believe Deepak Chopra has a point when he
    says what we love to do is the key to what we should be doing. And
    I reckon you understand that. :-)

    INdeed, you sure could, and you're right on the other point. I"m never happie than when I"m helping somebody flesh out an arrangement of a song they've written, or capturing a great
    performance. LIstening to a poorly done performance is
    painful, in fact I"d just as soon do a broadcast remote of a basketball game, but there are those moments at times in my
    career in audio or as a musician when I wonder why I was
    really getting paid to do something so pleasurable.
    ACcepting the money in those situations feels like cheating
    someone.

    One of those moments occurred for me when I first went to
    recording to hard drive in my studio. tHe studio I'd
    previously been employed by was analog for multi-track, and
    I gave this band a really good deal to be my experimental
    guinea pigs. wHen I first heard them was at one of these
    outdoor festival type gigs where their stage was a flatbed
    trailer, the sound reinforcement was inadequate to the spae, and they were quite drunk.
    I didn't like their music.

    tHe occasion I heard them play, and book the studio sessions was at a club that
    used to be a supper club, nice acoustics, they were sober and lucid. I found i
    actually enjoyed some
    of their songs, even though the so-called alternative music
    genre isn't my thing. THen we got them in the studio.

    We did the foundation tracks at the guitaristt's family's
    business, a tent and awning fabrication plant. Big three
    story warehouse building made of brick. I used bales of
    canvas to isolate the drums, was able to just use a nice
    stereo pair in xy over the kit, with a mic on the kick drum
    to help out. WAs able to pull them back to where the true
    sound of the drums develops. ISolated one guitar amp in an
    office, another in a stairwell.

    One shouldn't get paid to have so much fun!

    Regards,
    Richard
    --- timEd 1.10.y2k+
    * Origin: (1:116/901)
  • From Daryl Stout@1:19/33 to ARDITH HINTON on Sat Mar 3 02:27:00 2018
    Ardith,

    Ah. I'm reminded there of the adage "Be careful what you wish for...

    I apply that to these "storm chasers" (we're in tornado season in
    Arkansas now)...because sooner or later, they or their loved ones will
    be the ones who lose their property or lives.

    Classically trained, I would imagine....

    I have a Bachelor Of Arts in Radio/TV/Film, and a minor in Music from
    the University Of Arkansas At Little Rock.


    My sincere condolences. No doubt you & she did the best you knew h
    to do then, but maybe she was right that something didn't really "click". :

    Hard to believe me late wife has been gone almost 11 years (major
    heart attack 3 weeks shy of our 4th anniversary). But, you hear all
    these stories of couples breaking up around the wedding...ergo:

    1) At the reception, 15 minutes after being pronounced "man and wife",
    the couple announced they wanted a divorce.

    2) At the reception, the groom angrily tore up the marriage license. In
    some areas, if you don't return that with or without the proper
    signatures, you pay a hefty fine.

    3) At the reception, the bride and groom got into a knock down, drag
    out, beat them to death, fight.

    4) At the altar, when the preacher said "If there's anyone in this room,
    who feels that this couple shouldn't be married...let them speak now, or forever hold their peace"...IT WAS THE BRIDE who spoke up...she got
    "cold feet" at the altar. Both families were furious, as they had spent
    all that money!!

    My question is "where's the commitment??".

    Daryl

    ===
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